Dry etching, edition unknown
James McIntosh Patrick, 1932
Black frame with matboard
This landscape of Assisi, showing the Basilica of Saint Francis overlooking the town and surrounding Umbrian landscape. In the foreground, flocks of sheep graze among olive groves and stone farm buildings, capturing the pastoral character of the region. Signed with artists notations lower left.
Scottish artist James McIntosh Patrick (1907–1998) trained at the Glasgow School of Art and went on to develop an extensive body of work spanning oils, watercolours, and prints. His etchings, often finely worked and atmospheric. The celebrated artist gained early recognition in the 1930s as a formative landscape painter. Today, his works are held in major public collections, including the Tate and the Scottish National Gallery of Modern Art.
Size: 13.5 x 20cm
Frame: 37 x 40.5cm
Quality note: Slight discolouration of mat board indicative of age.
Dry etching, edition unknown
James McIntosh Patrick, 1932
Black frame with matboard
This landscape of Assisi, showing the Basilica of Saint Francis overlooking the town and surrounding Umbrian landscape. In the foreground, flocks of sheep graze among olive groves and stone farm buildings, capturing the pastoral character of the region. Signed with artists notations lower left.
Scottish artist James McIntosh Patrick (1907–1998) trained at the Glasgow School of Art and went on to develop an extensive body of work spanning oils, watercolours, and prints. His etchings, often finely worked and atmospheric. The celebrated artist gained early recognition in the 1930s as a formative landscape painter. Today, his works are held in major public collections, including the Tate and the Scottish National Gallery of Modern Art.
Size: 13.5 x 20cm
Frame: 37 x 40.5cm
Quality note: Slight discolouration of mat board indicative of age.
